HUBERT DE WATRIGANT II. Le Carnaval de Venise 1993/Fetes Venitiennes 1999

January is practically over and Carnaval is coming!

Carnevale, also known as carnival or mardi gras, is celebrated in Italy and many places around the world 40 days before Easter, a final party before Ash Wednesday and Lent. Could it be a better time to review this scarf? 

LE CARNAVAL DE VENISE 1993 / FETES VENITIENNES 1999
Hubert de Watrigant
Jacquard silk
Catalogued: 4C/4D

Both scarves share the same design by Hubert de Watrigan on Jacquard Silk, the first of them, Le Carnaval de Venise is from 1993 while the second one, Fetes Venitiennes was issued in 1999. The Carnevale Comitee of Venice threatened to sue Hermès for the use of the name "Le Carnaval de Venise", forcing them to change the name of the scarf to "Fetes Venitiennes". 

This is one of the most colorful Hermes scarves and features a great number of color screens, its vibrant harmony makes it extremely attractive.

At the center, the design features a group of passerbyes dressed in period finery  admiring a lovely view of San Marco Basilica and Campanile, both in Piazza San Marco, around this beautiful settecento scene, there are groups of people dressed in carnaval costumes, typically inspired in La Commedia dell'Arte masks: Arlecchino, Bauta, Capitano, Brigella, Pulcinella... see La Comedie Italienne if you want to learn more about it.

The scarf is a masterpiece of geometry and use of color. It is divided in four main rhombus squares whose background color is repeated in the adjoining triangle to the left forming a stunning game of clever dynamism. Geometry is also present in the Venetian mooring poles and the gothic Venetian window at the center (Thank you dear Bonnie for your contribution):

Photo credit: Bonnie

The details of the characters are also amazing, the delicacy of the gestures and the clothes reminds me of the best vintages by Ledoux:

Le Carnaval de Venise and Fetes Venitiannes, has been produced in a wide array of colors always with contrast hems and beautiful combinations, thank you ScarfAddict for lending me your pictures:

I hope you have enjoyed this review. Next week, I intend to go on with Hubert de Watrigant part III featuring a special issue on Spanish themed scarves: Plaza de Toros, Feria de Sevilla and Real Escuela Andaluza del Arte Ecuestre, so we'll back to equestrian themes! Ci vediamo allora!

HUBERT de WATRIGANT I. Les Haras Nationaux 1989

HUBERT de WATRIGANT I. 
Les Haras Nationaux 1989

BIOGRAPHY:

Hubert de Watrigant was born in 1954 and brought up in South West France where his father bred and trained racehorses. He inherited natural artistic talent from his maternal great grandmother, a landscape artist in the nineteenth century, and his paternal great uncle.
The de Watrigant family had an inbred passion for horses and it was natural, therefore, that his artistic career should begin by sketching horses in his father's stables. At school he drew ceaselessly in the margins of his sketchbooks.
On leaving school he joined the Army to serve his year of National Service. He then moved to Paris and began to earn a living through various different jobs, although he continued to draw and paint in his spare time, enabling him to exhibit in various small shows. In 1976 de Watrigant decided to become a full-time professional artist, holding his first one-man exhibition at Maisons-Lafitte. In 1977 he entered Les Sept Collines de Rome exhibition. He won first prize.
De Watrigant uses a wide range of materials including charcoal, pastels, watercolour and oils and works on many different surfaces. His draughtsmanship is outstanding and he has a remarkable ability to capture both the ambience of his subjects and the drama of a fleeting moment.
Influences on de Watrigant's work include Delacroix, Géricault, and principally, René Princeteau, the first teacher of Toulouse-Lautrec, who de Watrigant admires for his fine draughtsmanship.
His career was helped at the start by his family contacts in the racing world, but the quality of his work was such that he soon became recognized as one of France's leading equestrian artists. As testament to his talent his work now features in numerous private and public collections in England, Japan and the Emirates. Private collectors include Her Majesty The Queen, as well as many of the leading connoisseurs of equestrian art, including Baron Guy de Rothschild, the late Stavros Niarchos and the late Daniel Wildenstein. In America he has been commissioned by a number of stud farms including Spendthrift Farm, Gainesway and Calumet.

WATRIGANT FOR HERMÈS:

Les Haras Nationaux 1989, photo credit: Pauillac

Hubert de Watrigant has worked for Hermès on a regular basis since 1989 and is one of its iconic illustrators, the chairman of the French company, Jean-Louis Dumas talked about his experience with the artist and his work this way:

“Some people lighten us. Their Talents open up your eye, carry you away, deprive you from with delicacy of your everyday inhibition mask and reduce your anesthesia. For several years, I have had the privilege to observe Hubert de Watrigant moving forward in the free but rocky way of artists and illustrators. Guided by instinct, he has trusted his stroke, has merged into his spontaneous watercolors. He based his work on Horses, Hunt dogs and especially on Bulls and on those who, in the bullfight, dance to death with them. 

Confronting his search for truthfulness in the harmony of life to the shock of emotions that bullfighting leads him to, he drew from his clever and graceful hand the strength to create series of amazing and engaging pictures. . The carrés that were born from his collaboration with our firm honor Hermes’ label and give it a supplement of elegance"

During so many years of collaboration, Watrigant has designed several scarves for La Maison, here you are a complete list of his works that I'll be presenting in the next weeks:

Les Haras Nationaux 1989
Carnaval de Venise (Fetes Venitiennes) 1993
Plaza de Toros 1993
Le Poitevin 1993
Real Escuela Andaluza del Arte Ecuestre 1996
Feria de Sevilla 1996
Ombrelles et Parapluies 1998
Musee Vivant du Cheval 2002
Un Siecle de Courses a Deauville 2003
Dans les Branches del’Ombu 2005
Lujo Criollo 2005
Croquis Champs de Courses 2007
Ballet Equestre 2007
Les Chevaux Quataries 2008
Les Poneys de Polo 2010

Hubert de Watrigant is basically an equestrian artist, his work has been exhibited in many galleries around the globe and his pictures are very coveted by equestrian art collectors:

As a horse painter, he has designed several of the most beautiful Hermès scarves based on equestrian theme. Les Haras Nationaux is the first profile I'd like to present, thank you very much to dear Pauillac who lend me her pictures:

LES HARAS NATIONAUX
Hubert de Watrigant
First Issue: 1989
Catalogued: 4C

If you want more information about Hubert de Watrigant, visit his web page:http://www.hubertdewatrigant.com/

You may also be interested in learn more about Les Haras Nationaux, this is its site:http://www.haras-nationaux.fr/

Next week, I am presenting a new profile: Carnaval de Venise (Fetes Venitiennes) 1993, by the same author, feel free to email me any pictures of this scarf you would like me to post.

FRANCOISE DE LA PERRIERE II Traineaux et Glissades 1965

TRAINEAUX ET GLISSADES
Francoise de la Perriere
Original issue: 1965
Catalogued: 3D

This scarf was bought by my husband during a trip he made to Spain with a client in 2001.

The story is that he bought two scarves and as he thought it was absurd to carry two orange boxes all the way to Argentina, he made both of them put in one only box... the shop assistant asked him whether he was sure and he of course insisted... during almost 10 years it shared box with Brides de Gala. 

Este pañuelo lo compró mi marido en un viaje que hizo a España con un cliente en 2001.

La anécdota es que compró dos pañuelos y como le parecía absurdo acarrear las dos cajas, los hizo meter en una sola... la vendedora le preguntó si estaba seguro y él insistió... durante casi 10 años compartió caja con Brides de Gala.

It's a beautiful scarf which depicts a winter scene, thus its name: Sledges and Skates. This color in particular, white, gray and pale blue, intensifies the sensation of winter, in fact it's one of the iconic scarves related to winter themes together with Les Plaisirs du Froid (Hugo Grygkar), L'Hiver (Philippe Ledoux), L'Hiver en Poste (Philippe Ledoux), Noel au 24 Faubourg (Dimitri Rybalchenko), etc.

Es un maravilloso pañuelo que representa una escena invernal, de ahí su nombre: Trineos y Patines. Este color en particular, blanco, gris y azul intensifican la sensación de invierno, de hecho se trata de uno de los pañuelos-icono en cuanto a temas invernales junto a Les Plaisirs du Froid (Hugo Grygkar), L'Hiver (Philippe Ledoux), L'Hiver en Poste (Philippe Ledoux), Noel au 24 Faubourg (Dimitri Rybalchenko).

As an example of the peculiarity of the use of color, let me introduce the same scarf in a different shade, it's surprising that it's the same design, isn't it? this is the magic of Hermès:

Como ejemplo de la peculiaridad en el uso del color, os presento el mismo pañuelo en una tonalidad diferente, sorprende que se trate del mismo diseño pero esa es la magia de Hermès:

Some detail shots in a different color way:
Algunas fotos de detalle en diferente color:

Francoise de la Perriere is one of the best known Hermès illustrators, we own to him countless designs greatly popular like Bride de Cour (1969), Cannes et Pommeaux (1985), Champignons (together with Gavarni 1959), Costumes Civils Actuels (1995), Les Coupes (1971), Cuirs du Desert (1988) reissued in SS 2011, Early America (1980), o the super famous and super faked Voitures a Transformation (1965)

Francoise de la Perriere es uno de los más conocidos ilustradores de Hermés a lo largo de su historia autor de innumerables diseños enormemente populares: Bride de Cour (1969), Cannes et Pommeaux (1985), Champignons (junto a Gavarni 1959), Costumes Civils Actuels (1995), Les Coupes (1971), Cuirs du Desert (1988) reeditado en la colección Primamera Verano 2011, Early America (1980), o el super famoso y copiado Voitures a Transformation (1965)

PHILIPPE LEDOUX II La Comedie Italienne 1962

LA COMEDIE ITALIENNE
Philippe Ledoux 
Jacquard silk
First Issue: 1962
Catalogued: 2C

Let me introduce the beautiful vintage jacquard scarf La Comedie Italienne by Philippe Ledoux in 1962. 

It’s based on La Commedia dell’Arte, a form of theatre that began in Italy in the mid-16th century, characterized by masked "types", the advent of the actress and improvised performances based on sketches or scenarios. 

The classic, traditional plot is that the innamorati are in love and wish to be married, but one elder, vecchio, or several elders, vecchi, prevent this from happening, leading the lovers to ask one or more zanni (eccentric servants) for help. Typically, the story ends happily with the marriage of the innamorati and forgiveness for any wrongdoings. 

Please, watch the details, landscapes, backgrounds and expressions, this is one of the best Hermes scarves ever! 

Characters depicted on this scarf:

Zanni (servants) Colombina, Pulcinella, Arlecchino, Crispin, Brigbela and Mezzetin (brothers), Scaramouche, Bellosguardo, Scarpin, Pierrot.

The Innamorati: Isabella, Lelio, Leandro:

The Vecchi (the elder): Pantalone, Capitan, Giangurgiolo:

A last picture of 7 characters: Brigbella, pantalone, Lelio, Isabelle, Pierrot, Colombine and Arlequin.



For more information about jacquard scarves, please visit the following link:

http://63gramos.blogspot.com/2011/01/jacquard-scarves.html

Dear Lily recently got a beautiful issue of this scarf in olive green, gold and pink, I thought it would be nice to include some of her pictures as a comparison, many congratulations, my friend, for a great find!

JACQUARD scarves

Joseph Marie Jacquard (1752-1834) revolutionised the weaving industry in France and is regarded by many as a forefather of the mechanical computer. The Jacquard Loom is a mechanical loom that simplifies the process of manufacturing textiles with complex patterns such as brocade, damask and matelasse. The loom is controlled by punchcards with punched holes, with each row of holes corresponding to one row of the design. Multiple rows of holes are punched on each card, and many cards that compose the design are strung together in a fan folded loop.
His invention was fiercely opposed by the silk weavers of the day who feared that its introduction, owing to the savings of labour, would deprive them of their livlihood. However its advantages secured its general adoption and by 1812 there were 11,000 Jacquard looms in use in France. The loom design was declared public property in 1806 and Jacquard was rewarded with a pension and royalty on each machine.





Hermès normally use standard silk twill for their 90cm. Just occasionally they would produce a batch of special designs using jacquard silk, gradually less frequently right up to the end of the 1990's. The jacquard used would usually have some association with the design of the scarf. Probably the best known is the "Bee" jacquard used on the Napoleon scarf.
Hermès scarves on jacquard silk are much valued by collectors and will always fetch a higher price than normal twill versions of the scarf. Some designs have been produced on several different jacquard designs, and all re-issues are now on normal twill silk. The jacquard is also a useful "watermark", virtually guaranteeing authenticity. It appears as a slightly raised, repeating pattern over which the scarf design is printed.
Below are some examples of the most commonly seen jacquards....

"Bees" - Napoleon 1995.................... "Firework" - Les Fetes du Roi Soleil 1994

 

"Kangaroo and Anchor" - Le Geographe 1992......."Holly Berry" - Neige d'Antan 2001.

 

"H Monogram" - La Cle des Champs - 1995.... "Lute and Mandolin" - Fetes Venitiennes 1999.

 

"Skaters" - Joies d'Hiver 1992............      "Galleon" - Christophe Colomb 1992.

 

"Star" - Cosmos 1964..........................  "Ginko Biloba" - Diamyo Princes du Soleil 1991.

 

Designs on jacquard silk include:

"Bees" - Napoleon 1963, Amours, Herbier de Gavarnie 1994.

"Chicken Wire" - Les Insectes 1959, Grand Vent 1965.

"Feather" - Races des Coqs

"Firework" - Feux d'Artifice 1987, Fetes du Roi Soleil 1994, Jouvence 1968

"Fish Scale" - Romantique, Fauconnerie Royale Deduit 1962.

"Galleon" - Christophe Colomb 1992.

"Ginko Biloba" - Diamyo 1991.

"H-Monogram" - La Cle des Champs, Louveterie Royale 1962, Romantique.

"Kites" - special edition of Amours

"Leopard Spots" - Kenya 1988.

"Lute and Mandolin" - Fetes Venitiennes 1999, La Comedie Italienne 1962.

"Peacocks" - Ciel Byzantine 1997.

"Prancing Horse" - l'Instruction du Roy 1993.

"Skaters" - Joies d'Hiver 1992.

"Stars" - Cosmos 1964, En Piste 1998, Emblemes de l'Europe 1993.

"Treble Key" - Orguaphone et Autre Mecaniques 1996.

The additional cost of producing jacquard silk today has so far preventing the fakers from attempting to copy it. Do remember that re-issues will be on plain silk twill but will still be genuine!  There are rumours that Hermès still have "one or two" rolls of jacquard silk hidden away for some very special limited issues.


Some of the data of this review are credit: Geoff Clarke

PHILIPPE LEDOUX I Napoleon 1963

NAPOLEON


Philippe Ledoux
Jacquard silk
First Issue: 1963
Reissues: 1985, 1995
Catalogued: 5D




This is my beautiful Napoleon by Philippe Ledoux:
(Este es mi precioso Napoleón por Philippe Ledoux:)



A detail of the central motive, the colors are incredible, antique green and burgundy, you could almost feel the touch of ancient velvet!!!


(Un detalle del motivo central, los colores son increíbles, verde antiguo y granate, casi puedes notar el tacto de viejo terciopelo:)


Philippe Ledoux made an extraordinary research when designing Napoleon, all four the corners are inspired on different paintings of the historical figure:

(Philippe Ledoux hizo una extraordinaria investigación cuando diseñó Napoleón, las cuatro esquinas están inspiradas en diferentes retratos de la figura histórica:)


Napoleon was wounded in Rattisbone:
(Napoleón herido en Ratisbona:)



This is the original painting by Pierre Gautherot:
(Esta es la pintura original de Pierre Gautherot)




The upper left corner is the most easy to recognize as it's based on a famous painting by JL.David depicting the Pass of St.Bernard:

(La esquina superior izquierda es la más fácil de reconocer porque está basada en una famosa pintura de JL David que muestra el Paso de San Bernard)


Original painting:
(Pintura original:)



The last corner (upper right) is the trickiest to recognize, it represents Napoleon proclaimed Premier Consul:


(La última esquina (superior derecha) es la más difícil de reconocer, representa a Napoleón proclamado Primer Consul:)


Ledoux got his inspiration from a tapestry, Tapisserie des Gobelins: 
Ledoux encontró su inspiración en un tapiz de Tapicería de los Gobelinos:








At the center of the scarf, Ledoux depicts the arrival at Notre Dame Dec 2, 1804 after burning the Book of Rites:


En el centro del pañuelo, Ledoux representa la llegada a Notre Dame el 2 de diciembre de 1804 después de quemar el Libro de los Ritos:

Symbols and arms in Napoleon:


The Bees: the golden bees called cicadas, are symbol of immortality and resurrection, they were chosen to link the new dynasty to the very origins of France as cicadas were discovered in the tomb of Childeric I, founder of Merovingian dynasty in 457. Bees are the oldest symbol for French monarchy.

The uniforms in the center, the swords: on the left there is the First Consul dresscoat, on the right, Napoleon's Chasseurs à Cheval uniform. Further down the design, the First Consul and Coronation swords can be seen, as well as two sabres from the Egyptian campaign.

The chain of the Légion d'honneur: it took its name from ancient Rome. The chain of the Légion d'honneur, reserved for the emperor, princes of the imperial family and grand dignitaries, is composed of a gold chain made of 16 trophies linked by eagles with the ribbon and cross of the order at their necks. This chain is bordered on either side by a small chain alternating stars and bees. The central motif, the Napoleonic N, is encircled by a laurel wreath and supports the cross of the Légion d'honneur, a five-pointed pommel-pointed star, in white enamel. In the centre is the laurel-crowned profile of the emperor, the whole surmounted by the imperial crown.

The Eagle: it's a symbol of imperial Rome, Jupiter's bird, and was associated from the earliest antiquity with military victory. The day after his coronation, Napoleon had an eagle placed at the top of the shaft of every flag in the Napoleonic army.


I've tried to discover the real meaning of the number 25 displayed four times on the scarf. I should think that it has something to do with freemasonry, 25 is a powerful number for old freemasons and it's possible that Ledoux belonged to some of this societies in France as Napoleon did.




Napoleon is a jacquard silk scarf, for more information about jacquard technique in Hermès scarves, please visit the following link:
Napoleón es un pañuelo en jacquard de seda, para más información sobre está técnica en Hermès, por favor, visita el siguiente link:

http://63gramos.blogspot.com/2011/01/jacquard-scarves.html

Original paint
Napoleón